So
finally you have invested in a new DSLR and
are now looking for a good portrait lens which works well in low light?
One questions which has been repeatedly asked by almost every shutterbug is
about the 50mm lens from Canon. The Canon 50mm comes in 3 different models. 50mm
F1.2, 50mm F1.4 and 50mm F1.8. All of
them have a fixed focal length. To actually come to a conclusion on which one
to buy lets hit a comparison between the three.
The
50mm 1.8 is also known as the “NIFTY FIFTY”. The first thought you would get when
you pull this lens from the box will be 'damn its cheap'. Even though it feels
and looks like a cheap plastic toy, you would
be surprised once you mount it on your camera and start using it. In no way the
performance of the nifty-fifty is that of a small toy. Even thought it lacks
the USM motor which both 1.4 and 1.2 carry it still never fails to focus fast
and accurate. The 1.8 being cheap when you put it in comparison with the kit lens, it makes the kit lens look BLAH! At such a good
performance and priced at just $100, makes me recommend this lens to anyone.
Canon EF 50mm F1.4
The
next in line to the 1.8 is its elder sibling, the 50mm F1.4. When you first put
your hands on this lens, you instantly feel the difference. Ergonomically, it
is fatter and bigger than the 1.8. You would also feel the difference in the
weight of the lens, which is because the 1.4 carries the USM (Ultra Sonic Motor)
which makes the focusing way faster than the 1.8. Also, you would notice just how
quiet it is while focusing. Coming to the performance of the lens, when you
compare the picture quality of the 1.4 with the nifty-fifty you won't find much
of a difference. One would actually have to look pretty close to find the
difference which is a deeper blur and a TINY bit sharper image. Priced at $350 is also not a
bad option for replacing the kit lens.
Canon EF 50mm F1.2
The
first Impression you get looking at the 1.2 is, its 'HUGE'. This lens is the fattest
and the biggest out of all the three
lenses. The glass is enormous. The quality, being an L series lens of course makes it
the top quality lens And one
quickly realizes why the L series costs that much. Obviously, in all aspects the
50mm 1.2 triumphs the other two lenses. The focus ring was MUCH quieter and MUCH
smoother than the 1.2. Even when taking pictures the focus on this lens was
much faster than the last two and focused even quieter. The depth of field was
much deeper and the images were just that much sharper. Just messing around
with it at 1.2 you'll see how great it is. If I took advantage of the cameras
full potential with the 1.2 I'm positive the results of the shot would have
been outstanding.Priced at almost $1200 is the most expensive
out of the 3.
Image
test
The
3 shots below are taken from the 3 lenses starting from 50mm 1.2 on the left and
ending at the nifty-fifty. When you put into comparison the image at the right corner (clicked from 1.8) and the middle image (clicked from 1.4) you will
not find much of a difference, besides the 5 blade BOKEH of the 1.8. Yes 1.4 is a
little sharper, but then that is what you get when you pay thrice the
amount. Looking at the image of the 1.2 you know you are looking at serious stuff.
Smooth and sharp images and fantastic colors.
Final Verdict
There
is no better 50mm than the 1.2. The color, vibrance, shrapness and everything
else about the 1.2 is just perfect.The mammoth lens is just BOKEHLICIOUS. But
this would only be a recommendation if you are into professional work and are
going to earn your bread and butter through photography. For enthusiasts, we would
recommend the 1.8 which just as good as the 1.4 in performance and image
quality.
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